Macroscapes was born in confinement — the weeks of lockdown when travel became a word without a referent, and the only way out was inward. Working with a macro lens and a light table, Giuseppe explored the hidden geography of ordinary plant matter — flowers, food, fragments too small to notice — searching for landscapes no passport could reach.
What began as escape became something closer to cartography. Each microscopic terrain, once found, was matched to a real place on Earth — and the resemblance kept confirming an uncomfortable truth: the fragile, eroding, overheating planet visible in a piece of fruit under glass is the same planet visible from orbit. What started as a way to imagine elsewhere became, almost against its own will, a warning about here.